Interview - NAMID'A - 2025 (ENG)

NAMID'A is one of those bands that truly deserve wider exposure. Their music is sensitive, full of personality and genuine elegance. It is always surprising to see that a band with such strong potential does not move the masses, even though all the elements seem to be in place for it to do so. Their songs are accessible and easy to listen to, even for ears unaccustomed to darker sounds. There is real depth here; one never grows bored. Finally, a subtle touch of personality and originality completes a picture that is more than convincing.

Highlighting this kind of band is precisely the mission of a webzine like Jeu D’Ombre. We hope that, after reading this interview, you will feel compelled to discover the music of these warm and dedicated artists.

- Interview conducted by Xzvrey in 2025.

Spotify du groupe

Bandcamp du groupe

[Editor’s note] – For the sake of clarity, the artists’ first names have been abbreviated throughout the text:

Jean-Marc ; guitar = JM

Chloé ; vocals and keyboards = CH

Dinh ; bass = DI

1/ Hi friends, how are you doing? What have you been up to lately? Did you have a good time in Rogoznica*?

Which album has been spinning the most on your turntables recently?

[Editor's Note : referringtotheChlewik/BarbecuefestivalinwesternPoland,averyniceparalleleventtoReturntotheBat−Cave]

JM : Hi Florent! Well, all is well 😊 — holidays for some, still at work for others (I’m off at the beginning of September!).

As for current news, after the concerts of the first half of 2025 — ending with a fantastic show on June 13th, sharing the stage with the Brazilian post-punk legend Plastique Noir — we are still promoting our first album, Out of Sorrow, released in September 2024. From August 2025 onwards, we should be playing roughly one concert per month!

Among these shows, there will be new cities for us, such as Limoges (with the excellent deathrock band The Last Oath as support — wink 😉), Lyon on November 20th, a return to Reims on October 4th, and, as you rightly mentioned, August 15th will mark NAMID’A’s very first time in Poland, at the Off festival of Return to the Batcave, Chlewik/Barbecue. Three days of concerts next to a “haunted” house ^^’ — quite a programme! The concert in Rogoznica, Poland, was absolutely incredible :o !! Many thanks once again to Tomasz for his professionalism and for the consistently high standards he brings to his festivals, even in summer: excellent sound, great lighting, and a coherent, diverse and high-quality lineup for anyone who loves post-punk, darkwave, deathrock and UK punk. And the audience there is truly wonderful and deeply passionate about music. On the composition side, there are also new things coming up. I’m working with Chloé to refine them, but being old school, I like to test songs live before recording them! By the end of the year, we should be playing at least four new tracks during our concerts.

My “problem” (or maybe not, haha) is that I listen to new music all the time… and it’s amazing how many interesting releases come out every single month. So thanks to Jeu D’Ombre as well for helping us discover new artists 😊

Right now, before the Linkin Park concert, I’ve been revisiting Hybrid Theory and Meteora (the essentials :p). As for post-punk, I’ve really been drawn lately to the Los Angeles band DECEITS.

DI : For me, it’s not an album but rather a single that I’ve been playing on repeat for weeks now: Battling Guns by SLOMOSA, a Swedish stoner band I discovered this year at Hellfest. I went through their whole discography, and although this track is probably the least “stoner-sounding” one, it’s incredibly catchy!

CH : For about a month now, I’ve fallen deep into Deleo. They released a new EP in June, but it’s their album The Best Is Yet To Be that I’ve been listening to the most lately.

2/ I know it’s quite a classic question, but could you please introduce the band to the readers of Jeu D’Ombre? Who are the musicians? How would you describe your musical style? And what does the band’s name mean?

JM : We are a Paris-based band playing original compositions that skilfully blend indie rock and 80s post-punk in a way that is both dynamic, melodic and clearly melancholic. I founded the band in 2020 during the COVID period (first lockdown). As a guitarist by background, I composed around a dozen tracks at that time (without lyrics, except for two songs!).

When it came to vocals, I wanted a female singer because I really appreciate bands with female voices, but I did not want a typically “goth” voice (often very deep and sometimes overloaded with effects, at least to my taste ☹), nor something too close to the vocal style of bands like Cocteau Twins, for example. In April 2021, Chloé replied to my ad, and her voice as well as her lyrics were a perfect match for NAMiD’A 😊 From there, I started looking for a bassist (an essential instrument for our style of music in a live context): Dinh answered one of my ads at the end of 2021, and by early 2022 it was official!

NAMiD’A is a wordplay that represents the emotion we want to convey. I listened for a long time to Japanese visual kei bands (X Japan, Luna Sea, Dir en Grey, Rouage, Laputa, Plastic Tree… for the older ones, since I’m old school as mentioned earlier, LOL), and I even travelled to Japan several times to see them live :o !! There has always been a strong connection to sadness and melancholy in my former bands and in my compositions. Out of my love for Japan and for those bands I deeply admired (like Luna Sea), I used the Japanese word namida, meaning “tear”. I split it by adding the “’A”, which gives NAMID, meaning “star”, and A for “alpha”, referring to a beginning. So you could say there are two possible readings of our band name 😉 NOTE: it is pronounced like the Japanese word.

3/ Your first studio album Out Of Sorrow was released in 2024. What kind of feedback have you received so far? What is the concept behind this album? Does the title have a particular meaning for you?

JM : Yes, Out Of Sorrow has been available on all platforms, including Bandcamp (and even on CD), since September 14th, 2024. So far, all the feedback has been positive, both regarding Chloé’s beautiful voice and the music itself. We recorded the tracks in the studio and handled the mixing and mastering in one of the major studios in Paris, Le Garage. I really wanted this first album to have a strong, high-quality sound.

The title sums up very well the range of emotions each song is meant to convey to the listener. The tracks were composed between 2021 and 2023; they then had to be reworked, recorded, mixed, and released at the right moment, which eventually brought us to September 2024. We are very happy, because people are pleasantly surprised by the quality and accuracy of the songs — not to mention Chloé’s wonderful lyrics.

4/ I must admit I was quite surprised, but as far as I know, no label released your album 😮. What happened? After all, it clearly has many strengths. Did you approach any record labels, or did you choose to remain self-produced?

JM : Well, I have to admit that I did try approaching a few labels about two years ago… but it really is a lot of work! And unfortunately, our style tends to fall between categories: either it is “not dark enough” or it is considered too “rock-oriented” (laughs). Also, these days, labels tend to look for bands that already have a minimum number of followers and a certain level of popularity.

That said, I know we have an audience waiting for us in different countries, and we are going to keep working on our compositions and our communication. Hopefully, one day, one or two labels will decide to take us under their wing.

5/ How do you organize your working sessions as a band? Do you rehearse regularly? In a specific studio? At home? What do you like to do before and after a concert?

JM : We rehearse once a week in a studio in Paris. As far as composition is concerned, I start by working alone, writing all the music at home in my home studio — guitars, bass, programmed drums, and sometimes synth pads as well. Once I am happy with the result, I send it to Chloé so she can work on the vocals, both the vocal harmonies and the lyrics 😊 But nothing is ever set in stone! It has happened that, after receiving Chloé’s vocal harmonies, I changed my guitar parts entirely!! And during rehearsals, we sometimes discover new ideas: for me, a song is something “alive”, it grows as we play it and according to our own emotions 😉 Before a concert, I am on maximum alert and quite stressed ^^ no alcohol before playing, because I want to stay fully focused! After the show, I relax and usually go to the merch table to talk with people and get their feedback on the performance.

DI : Outside of rehearsals with the band, I often practice at home. When I am working remotely, it has even happened that I turned off my camera during video meetings, with my bass on my knees, just to rehearse =) My post-concert ritual is always the same: I need to go outside and smoke a cigarette. Even though I feel increasingly calm on stage over time, I am so focused during the show that I absolutely need to decompress afterwards.

CH : Outside of rehearsals, I focus mainly on composition — we each work on it a bit separately. First JM composes the instrumental, then I write the lyrics and work on the vocal melody, and afterwards we adjust either the instrumental or the vocals if needed. Before a concert, the essential thing for me is a proper vocal warm-up, so I feel comfortable on stage — and I also try to avoid carbonated drinks before singing, which means that after the show, all I want is a good beer to drink outside and cool down!

6/ What is your musical background? Did you play in other bands before founding NAMiD’A? How is this project different from your previous ones?

JM : Oh dear! I started playing more than 25 years ago in small bands with friends; we played The Cure, but also Iron Maiden, Téléphone, and so on… Then I went through a Japanese visual kei phase and naturally became a huge fan of Luna Sea. Our song Sweet Caress is a small tribute to that period, which lasted around ten years :o !! I even travelled to Japan several times to see those bands live — that says it all! After playing in bands such as Black Flower Child and KAIRO, I went through a complete three-year break… no desire to make music anymore… my guitars were gathering dust… Then in 2014, post-punk started to come back strongly, and I attended some amazing, affordable concerts at Le Buzz and La Cantine de Belleville! That’s when my passion for music came back. In 2014–2015, I played in a coldwave tribute band, then in 2016 I was recruited by Hervé to play in WALLENBERG — at RTTB :o !! And that’s when everything truly began. I spent three years in WALLENBERG and composed eight tracks for the last album. In 2019, I joined the Parisian coldwave band Men in Disorder, where I composed all my guitar parts according to their music :p But during COVID, I stopped — and then came the turning point, on April 13th, 2020: I composed the very first NAMiD’A track!! This project is VERY important to me, because it is finally my project. Until then, I had always joined other people and already-formed bands, but now I handle (and want to handle) everything myself 😊 That said, it is an enormous amount of work ^^’ I am composer/performer, booker, producer, community manager, financial manager, etc…

DI : I started playing music at the age of 19, trying to copy a guitarist friend of mine. I picked up the bass because I wanted to play with him. He had a very high level, so I progressed quickly by playing alongside him. We played one or two concerts together in bars. Later on, I joined an alternative rock band with original compositions, but after a few gigs the band split up due to scheduling issues. Years went by, and I kept playing on my own almost every day, either bass or guitar. One morning, I thought to myself: “Hey, it’s sad to play alone — what if I looked for musicians or a band?” That’s when I came across NAMiD’A’s ad looking for a bassist.

CH : I started playing piano around the age of 4 or 5 and took lessons at a music school until I was about 18, including seven years of music theory. I also sang in a choir during my studies, so I have a basic musical background. After that, there was a long break with no music at all, until about eight years ago, when my desire to sing led me to a local association where I met musicians. We started by playing covers, then acoustic covers. Before joining NAMiD’A, however, I had played fewer than ten concerts, and never more than five kilometres from home!

7/ I’m now turning to Chloé. I find your voice absolutely incredible and impressively controlled! Have you been singing for a long time? Have you taken lessons? Who are your favourite vocalists?

CH : Thank you! I’ve always loved singing ever since I was very young, and it’s unbearable to be in a car with me because I sing the entire way! In fact, it also allows me to practise, as I don’t really have much time for singing lessons. I did take three or four lessons at the beginning of NAMiD’A, mainly to reassure myself on the technical side. But I still have a lot to learn, so from time to time I try to watch tutorials — my next goal is to understand how to use my false vocal cords, as I would really like to experiment with adding a bit of growl or scream in some songs!

As for vocal inspirations, they are not necessarily the “greatest” voices, but rather the ones that move me the most: Beth Gibbons (Portishead) for her subtlety and fragility, Thom Yorke (Radiohead) for his high notes that touch me straight to the heart, and Dolores O’Riordan (The Cranberries) for that unmistakable Irish timbre and, of course, her yodel. Björk, who dares absolutely everything with her chameleon-like voice, but also Cat Power for her deep, earthy tones, and a few modern jazz singers such as Norah Jones, Melody Gardot and Madeleine Peyroux, whose elegance I truly admire.

8/ I’ve seen several of your live shows shared on social media. Do you play live on a regular basis? What is your relationship with the audience like? Do you take the time to talk with people who come to see you play?

JM : Every year since 2021, I’ve been relentlessly searching for gigs for NAMiD’A all over the place; it’s becoming increasingly difficult without a label and without support, I must admit… But I think I manage to secure at least ten shows per year. In about 50% of cases, we have to put some money in ourselves, but the band is still young and we need to play often, and above all outside Paris, in order to attract promoters’ interest.

As I mentioned earlier, I really enjoy talking with as many people as possible before and after the concert. I love receiving “feedback”, as they say. I could talk about NAMiD’A and post-punk in general for hours!

CH : Yes, I even say it quite often at the end of our shows: we love chatting with the audience and people should definitely come and see us afterwards! I always find it interesting to know who enjoys our music, what they liked or disliked, what could be improved, which bands our songs reminded them of… there are always surprises!

9/ Let’s talk a bit about your musical tastes now. What are your favourite bands and albums? And how are they important to you in relation to your own project?

JM : I started out with hard rock and heavy metal — IRON MAIDEN, TRUST, MEGADETH, but also Skid Row — then I went through a (short) grunge phase, followed by a nu-metal period around 2000 ^^. These days, I’m very much into post-punk/coldwave and a bit of darkwave: as mentioned earlier, there’s the band DECEITS, and I’ve also discovered the German band CIERN and the Dutch group LifeLess Past. But my favourite band is TWIN TRIBES!! Their music fits my tastes so perfectly, it’s almost unreal.

Among older bands, I’ve always had a strong affinity with Sad Lovers and Giants, Asylum Party, Sisters of Mercy, Cocteau Twins, The Smiths, For Against, etc.

All of these bands influence me, but I still keep my own identity and add a touch of indie rock as well: I really like bands such as Desperate Journalist and Sunflower Bean.

On the other hand, I don’t like electro, EBM, or overly basic, “karaoke-style” darkwave (laughs). I’m rock and post-punk! People tend to forget that post-punk was originally rock: guitar, bass, drums, vocals — not soulless electronic music…

DI : I’ll start by saying that I bought my very first CD when I was around 12 or 13; it was No Need to Argue by The Cranberries. As far as I remember, that was the beginning of my interest in rock music — a perfect album from start to finish, which I still listen to thirty years later. After that, I went through a major Smashing Pumpkins phase (to this day, I often cite Mellon Collie and the Infinite Sadness as my favourite album of all time, across all bands). Then, in no particular order, the bands that really influenced me: Nada Surf, TOOL, The Prodigy, Pixies, Nine Inch Nails, Joe Hisaishi, At the Drive-In, Interpol, The Mars Volta.

CH : The first CD I ever bought was OK Computer by Radiohead, also around the age of 13, I think — and it was one of the biggest musical shocks of my life. I listened to the demo at FNAC and just stood there, listening to the entire album for two hours; I was completely floating. Radiohead is one of the very few bands whose evolution I’ve loved, and whose songs I’ve appreciated from beginning to end — unlike Coldplay, whom I was very fond of in their early days, but gave up on after the album X&Y. Before that first purchase, I had “borrowed” MTV Unplugged in New York by Nirvana from a cousin; that was also a major influence for me. I feel that the stripped-down acoustic approach allows emotion to come through more clearly, and that is something I actively seek.

After that, my tastes leaned more towards indie rock and trip-hop — in no particular order: Portishead, Patrick Watson, Morcheeba, Sparklehorse, Emiliana Torrini, DIIV. What might come as a surprise is that before joining NAMiD’A, I had no real exposure to 1980s music, let alone post-punk from that era or even more recent acts (nobody’s perfect!). So our songs are truly the meeting point between Jean-Marc’s influences and mine, which are very different.

10/ Well, it’s time for a break. What is the most absurd situation you’ve experienced with NAMiD’A so far? 😁

JM : Dinh, this one’s for you (laughs)!! As for me, recently at the Supersonic show on February 22nd, 2025, I launched the drum backing track… and completely forgot to turn my guitar amp back on ^^’ embarrassing! But it happens even to the best of us :D

DI : Nothing comes to mind right away, but maybe that time when we were on our way to a gig, stopped at a motorway service area, and I ended up washing the car’s windscreen — only to later find myself on TikTok. Maybe a new career is opening up for me.

CH : Not exactly absurd, but between my day job and NAMiD’A, there are sometimes surprising situations — like that Friday morning when I gave a conference in front of 200 people and did an interview for a very specialised podcast in my field, dressed in a tailored suit with a perfect blow-dry… and that very same evening, I was on stage in full goth make-up and fishnet stockings for a concert and an interview with a Brazilian fanzine! There’s a slightly schizophrenic side to it that I actually quite enjoy!

11/ I’m now turning to Jean-Marc. We’ve met twice at Return To The Bat-Cave in Poland. Since then, I’ve noticed on your social media that you attend festivals very regularly — and quite a lot of them! What is your relationship with this type of event? Why do these gatherings occupy such an important place in your life?

JM : I’ve been part of the Parisian post-punk/goth scene for twenty years now (I started going to goth nights in Paris in 2005), and since I love travelling for music (thanks to visual kei, I even went to Japan!), my very first goth festival was M’era Luna in August 2016 — a first slap in the face! My second one was Return To The Batcave in 2016, where I played with WALLENBERG — another slap, and this time as a musician!! Since then, I’ve become “addicted”!! Yes, yes, we all know it’s the second dose that gets you hooked (laughs). RTTB is simply incredible, and I’ve been going almost every year since then! It’s FAMILY — and you know it too!

Then in 2017 came my first Amphi Festival in Cologne (DE): it’s now my home every single year!

From 2021 onwards, I tried the Prague Gothic Treffen (CZ) (in fact, it was the only festival allowed that year, lol — and it was great 😊). Same story there: I only missed 2024, but not the 20th anniversary edition in 2025 (I’ve just returned as I’m writing these lines).

In 2024, I tried the one in Madrid (ES), DARKMAD: good lineup, but unfortunately catastrophic organisation, and they had to cancel the 2025 edition…

So in 2025, I attended Wave-Gotik-Treffen in Leipzig for the first time: an incredible goth festival celebrating its 32nd anniversary, but spread over five days and more than ten venues across the city, with over 180 bands :o !! Maybe a bit too big for me…

I still need to experience Dark Malta (Malta) and Castle Party (Poland), and then I think I’ll have covered most of the major post-punk/goth festivals in Europe, right?

Oh, and I also attend metal festivals — mainly GMM, Hellfest and Slam Dunk 😉

For me, live music is essential: it stimulates me, gives me energy, in short, it makes me feel alive! So I need festivals and concerts to feel good. And I love travelling!

12/ As members of the post-punk and goth scenes in a broad sense, how do you view the current scene? Do you think there are enough bands, concerts, events, DJ sets, fanzines, and so on? What could be improved?

JM : Since 2016–2017, there has been a post-punk revival (not the same as the one in the 2000s!), and especially post-COVID: there is an incredible Italian wave (with bands like Soft Scent) and a US wave (around Los Angeles) that has been thriving over the last four years. Mexican-American and Hispanic bands are also amazing (DECEITS, DARKWAYS, French Police, Plastique Noir, etc.)! At the same time, some bands from the 2007–2011 wave (especially the Italian one) are returning with fresh material (Date at Midnight, DER HIMMEL, Soviet Soviet, …). In short, it’s a fantastic time to love this kind of music :o !!

That said, I can only speak about what I like and know. Electro-goth and darkwave/EBM are also very successful, but I don’t like them. I notice that many younger people seem to prefer this kind of “bands”, as if they mostly want to dance rather than listen to more organic and complex music… Sometimes it really depresses me to see someone on stage triggering .WAV files with a big, soulless “boom boom”, and vocals so heavily processed that I wonder whether the person is even singing at all… and they get paid three times more than bands with guitar, bass, drums, and a real singer… It’s sad.

13/ You are based in Paris. How is the scene doing in the capital? Which clubs are interesting for bands looking to perform? And which venues are enjoyable for attending post-punk or goth nights and concerts? You also organise events with TSC Records, if I’m not mistaken — how is that going for you at the moment?

JM : For goth club nights, there are still Le Klub and the Concorde barge at the end of each month.

As for concerts, since the end of 2024, despite the closure of L’International (a big tear…), there has been a real revival of post-punk/goth shows in Paris. For now, the main venues are the two Supersonic rooms (Club and Records), Atomic Cat, and QG Oberkampf, where TSC Records and I have taken over part of the programming for this type of concert — and we’re currently rebuilding everything in that venue! I’m the one in contact with the bands and I organise the events; I’m quite proud to have brought Partikul, Plastique Noir, Soft Scent, Lifeless Past and Date at Midnight this year! And if things keep going well, 2026 will bring many more bands and surprises.

14/ What are the main themes explored in your lyrics? What do your songs tell? What subjects generally inspire you?

CH : We formed during the COVID period, a time when many of us suffered from loneliness, and a lot of our songs deal with that feeling. It was also a period when some rather disturbing behaviours became more visible, such as domestic violence (The Woman with a Hole in Her Skull), health segregation and legal overreach (who has forgotten the passes and exit permits?), and so on… Unfortunately, there was plenty to draw inspiration from.

In our more recent songs, current national and international political events obviously play a role — we all so deeply wish for wars to end that we feel the need to express it (see the lyric video for Is It Enough?) — but also more philosophical reflections on human nature, unhappy love stories, and mental illness.

15/ What would be your wildest dreams with the band? For example, a legendary band you would love to share a bill with, even if it feels completely unrealistic, haha.

JM : I’d love to play at Petit Bain in Paris, then at Le Trabendo, and of course at festivals such as RTTB, PGT and Wave-Gotik-Treffen! Playing in the UK and in the US (well, not right now ☹) would also be a wonderful dream.

As for truly impossible dreams: I would have loved so much to play with Asylum Party ☹

DI : A dream I have — and one that doesn’t seem so “impossible” to me — is for us to go on a world tour. And to open for a band like The Dresden Dolls, for example.

CH : This may sound strange — and it makes Dinh and JM laugh a lot — but my dream would be for one of our songs to be played on FIP! It’s a radio station I absolutely love for its eclecticism and the quality of its programming, and it would feel like a true consecration to be spotted and broadcast by a FIP programmer (I’ll just leave this here for your readers: if any of them happen to know someone at FIP, please!!).

16/ What is your best concert memory — one of your own shows? What was the moment that made you think: “Damn, this is why I make music”?

JM : The first concert in Germany in 2021, the Supersonic show in December 2022, and the festival in Rogoznica, Poland, in 2025 😊 Seeing people move and genuinely enjoy something that comes from deep within you — it’s simply incredible!

DI : It may seem insignificant, but it was my third concert with the band, when we played at L’International in Paris. At the end of the set, someone from the audience came up to me and asked if they could take my setlist. I was a bit surprised. It felt strange, but also incredibly rewarding — it almost had more of a “rock star” feeling than signing autographs.

CH : What marked me the most was the first time someone from the audience came up to me and explained how they had understood the emotions I wanted to convey through my voice. The music I love truly transports me, and it makes me extremely happy when other people are moved by what we play.

17/ I’m warning you — this one is unavoidable: what are your favourite dishes and drinks? And what was your biggest collective hangover with the band?

JM : Pizza and vodka tonic, lol — I’m kidding 😉 No, seriously, there’s a dish I only ever eat in Martinique: fricassée de chatrou. And the second one, more from Occitanie, is duck breast with green peppercorn sauce! Just thinking about it makes me hungry. As for drinks, I’m pretty classic: vodka- or rum-based cocktails for alcoholic drinks; otherwise, I drink WAY too much coffee :p even though I actually like tea. As for hangovers, Angers 2022 was pretty rough after the show ^^’ especially since we were playing again in Paris the next day… I was really unwell (but I didn’t say anything).

DI : Ah, finally a truly serious question! I honestly can’t imagine life without eating phở, even though the best one is my mother’s (I have to write that, just in case she ever reads this interview). I don’t think I really have a favourite drink. As for me personally, I’ve never had a hangover in the context of the band. I do enjoy drinking, of course, but never to a point of no return — I like to stay in control, both before and after our shows.

CH : I’m definitely a foodie and I love many different dishes, so it’s impossible for me to choose just one favourite! But let’s say I have a real weakness for anything involving cheese. As for alcohol, I happen to be the only one who drives in the band, which limits things a bit. Still, I remember a concert night in Angers where we ended up with shots lined up on the Fender guitar of the guitarist from You Know The Way — that was pretty epic!

18/ Can we expect a new release from you soon? Perhaps a new album, or a single? What are your goals for the coming years?

JM : Yes, I definitely want NAMiD’A to release something in 2026! We are constantly composing, and I think four or five songs are almost ready to be revealed and recorded. That said, we are indeed planning to release a single in 2026 first.

19/ We’re coming to the end of this exchange. Would you like to add something for our readers?

JM : Thank you all, and I hope you’ll get the chance to see us live — because live shows are our strongest form of expression! And I’m always happy to talk about music 😊

DI : For what it’s worth, I would advise people to start making music and join a band as early as possible — I almost regret having started so late.

CH : Hahaha, we’re lucky to have a wise one in the band! But it’s very true, I agree. I would also like to warmly thank your readers who support smaller scenes and less popular bands — we need them to exist, now more than ever, especially in the face of AI-generated music!

20/ Thank you very much for taking part in our little zine 🥦. I hope you enjoyed this interview, and I wish you many great concerts ahead. We’ll see each other again soon to share a stage together 😉

See you soon!